It's A Wonderful Life - Page 5
The following week he worked long hours in the film laboratory, again and again enlarging the frames of that scene so that eventually it would appear as a close-up on the screen. I believe nothing like this had ever been done before. It involved thousands of individual enlargements with extra time and money. But he felt it was worth it.
There was a growing excitement among all of us as we strove day and night through the early summer of 1946. We threw everything we had into our work. Finally, after three months, shooting some 68 miles of 35-millimeter film we completed the filming and had a big wrap-up party for everyone. It was an outdoor picnic with three-legged races and burlap-bag sprints, just like the picnics back home in Pennsylvania.
At the outing, Frank talked enthusiastically about the picture. He felt that the film as well as the actors would be up for Academy Awards. Both of us wanted it to win, not only because we believed in its message, but also for the reassurance we needed in this time of starting over.
But life doesn't always work out the way we want it to.
The movie came out in December 1946, and from the beginning we could tell it was not going to be the success we'd hoped for. The critics had mixed reactions. Some liked it ("a human drama of essential truth"); others felt it "too sentimental ... a figment of simple Pollyanna platitudes."
As more reviews came out, our hopes sank lower and lower. During early February 1947, eight other current films including "Sinbad the Sailor" and Betty Grable's "The Shocking Miss Pilgrim," outranked it in box-office income. The postwar public seemed to prefer lighthearted fare. At the end of 1947, "It's a Wonderful Life" ranked 27th in earnings among the releases that season.
And although it earned several Oscar nominations, despite our high hopes, it won nothing. "Best picture for 1946" went to "The Best Years of Our Lives." By the end of 1947 the film was quietly put on the shelf.
But a curious thing happened. The movie simply refused to stay on the shelf. Those who loved it loved it a lot, and they must have told others. They wouldn't let it die any more than the angel Clarence would let George Bailey die. When it began to be shown on television, a whole new audience fell in love with it.
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